Sign In | Register


Search

Yojimbo - Akira Kurosawa

By Ankur Sharma on 17 June 2008
Printer-friendly version

Note: This review contains spoilers

Enough cannot be said about the man who brought the Japanese Cinema to the attention of the world with his philosophical, action-packed, darkly comic movies that were to inspire countless ones later (including Sholay, the most popular Indian movie ever). Yojimbo is one of the manifestations of Akira Kurosawa’s genius (but not his claim-to-fame). Yojimbi constantly sways between deceptions (adroitly manipulated by Kurosawa) and cleverly crafted ying-yangs – stark violence and in-your-face humor, superficial cruelty and deep kindness, heroic courage and contemptible cowardice (that one surprisingly can’t help but laugh at).

A wandering anonymous Samurai comes across a father-son arguing, the father preventing the son to join a gang of gambling crooks - criminals with short life spans. He reaches a war-torn village, smelling the stench of fear pervading all its residents.

He takes shelter in a home where the host tells him about the prevalent conditions in the village – two gangs led by SeiBei and Ushitora, gambling clans of crooks and criminals are fighting it out to rule the village. The Samurai decides to make hay while the sun shines by exploiting his art.

After demonstrating his skill to SeiBei by killing three crooks from the Ushitora clan, the Samurai joins them for 50 ryo by offering to become their bodyguard, and helping eliminate the other side. However, his association is short-lived as he discovers the intentions of Seibei’s wife, who conspire to kill him after the fight. Samurai, who calls himself Sanjuro now, overhears them and devises a plan to retaliate.

Seibei and his hoodlums declare attack on Ushitora in broad daylight after procuring Sanjuro, their confidence unshakeable. However, Sanjuro deserts them at the beginning of the fight, informing both parties that he is neutral. Perched atop a tower he watches in amusement as two sides prepare to annihilate the other, fear written all over their cowardly faces.

To their relief and his chagrin, an unexpected inspection from a country official saves the two sides from killing each other (if they could engage at all in the first place).

Unable to strike a bargain with him and knowing that neither of them have the courage, Seibei and Ushitora patch up. Sanjuro rightly says, “Gambler’s make peace to make for a bigger fight,” and incites the two sides to stoke their mutual hatred. As a result, the brittle trust is soon broken. He joins Ushitora, and puts his plan into action by setting Ushitora’s mistress free (uniting her with her husband and child). An enraged Ushitora takes the bait and goes after Seibei and the conflict is resumed.

But lady luck deserts him when one of Tokuemon’s men spots the mistress with her family and brings it to his attention. He confronts Sanjuro and alleges it was him who killed the bodyguards (A thank-you note from the man Sanjuro helped confirms his suspicion). Sanjuro’s is incarcerated and tortured to reveal the mistress’s whereabouts without any success.

Sanjuro manages to escape and hides in the old man’s house where he usually is. When Tokuemon’s men arrive looking for him, they are told that Sanjuro is now with Seibei. Ushitora launches an attack on an unprepared Seibei, and a bloody rampage ensues in which Seibei’s family is wiped off. Sanjuro now recuperates in a temple, practicing his aim, when he hears that his saviour has been captured by Ushitora’s men. Killing all the vermin, he ends the chaos and bloodbath in the town.

Adjectives like versatile would undermine Toshiro Mifune’s reputation as an actor. Only he could wear the cloak of cruelty over a shining armor of kindness. As soon as the viewer labels Sanjuro opportunistic and selfish, he does a U-turn and show what real men are made of. If he symbolizes deceptively true courage (camouflaged by an outwardly contempt of those he helps), others do well to make the cowardice an almost necessary, complementary fit. Ergo, the entire epic culminates as a completion of various aspects of human nature.

If you are a fan of westerns, you really do need to watch this movie. Good action and entertaining acting is definitely an icing on the cake!

0
No votes yet
Your rating: None
  • Login or register to post comments
  • Killer Joe - William Friedkin
  • Kai Po Che - Abhishek Kapoor
  • 85th Academy Awards: Complete List Of 2013 Oscar Winners
  • Compliance - Craig Zobel
  • Arbitrage - Nicholas Jarecki
  • End of Watch - David Ayer
  • Cloud Atlas - Tom Tykwer
  • Beyond the Hills - Cristian Mungiu
  • Bent - Sean Mathias
  • Rope - Alfred Hitchcock
  • Shame - Steve McQueen
  • Page One: Inside the New York Times - Andrew Rossi
  • Paradise 3: Purgatory - Joe Berlinger and Bruce Sinofsky
  • Albert Nobbs - Rodrigo García
  • Eastern Promises - David Cronenberg
  • War Horse - Steven Spielberg
  • Trust - David Schwimmer
  • The Assassination of Jesse James by the Coward Robert Ford - Andrew Dominik
  • The Arbor
  • Hunger - Steve McQueen
  • Moneyball - Bennett Miller
  • In a Better World - Susanne Bier
  • Poetry - Lee Chang-dong
  • Alexander - Oliver Stone
  • Grizzly Man - Werner Herzog
  • There Will Be Blood - Paul Thomas Anderson
  • Omkara - Vishal Bhardwaj
  • Midnight in Paris - Woody Allen
  • I Vitelloni - Federico Fellini
  • Heavenly Creatures - Peter Jackson
  • Get Low - Aaron Schneider
  • 38 Films on the Love of Films
  • Win Win - Thomas McCarthy
  • The Double Life of Veronique - Krzysztof Kieslowski
  • Nowhere Boy - Sam Taylor-Wood
  • 38 Films on the Love of Films
  • 38 Films on the Love of Films
  • The Birth of a Nation - D.W. Griffith
  • Inside Job - Charles Ferguson
  • Client 9: The Rise and Fall of Eliot Spitzer - Alex Gibney
  • Another Year - Mike Leigh
  • Enter the Void - Gaspar Noé
  • Blue Valentine - Derek Cianfrance
  • Three Colors: Red - Krzysztof Kieslowski
  • Black Swan - Darren Aronofsky
  • Exit Through the Gift Shop - Banksy
  • Carlos - Olivier Assayas
  • Tetro - Francis Ford Coppola
  • The French Lieutenant’s Woman - Karel Reisz
  • Leaves of Grass - Tim Blake Nelson
  • Tamara Drewe - Stephen Frears
  • The Long Goodbye - Robert Altman
  • Holy Rollers - Kevin Asch
  • The Burmese Harp - Kon Ichikawa
  • The Damned United - Tom Hooper
  • The Last Station - Michael Hoffman
  • The Triplets of Belleville - Sylvain Chomet
  • Departures - Yôjirô Takita
  • Kwaidan – Masaki Kobayashi
  • Hot Fuzz - Edgar Wright
  • Fish Tank - Andrea Arnold
  • Women Without Men - Shirin Neshat
  • Please Give - Nicole Holofcener
  • The Descent - Neil Marshall
  • The Girl with the Dragon Tattoo - Niels Arden Oplev
  • The Stoning of Soraya M. - Cyrus Nowrasteh
  • Where the Wild Things Are - Spike Jonze
  • Mother - Bong Joon-ho
  • Cold Souls - Sophie Barthe
  • Hollywoodland - Allen Coulter
  • A Prophet - Jacques Audiard
  • Yi Yi - Edward Yang
  • Antichrist - Lars von Trier
  • A Serious Man - Joel and Ethan Coen
  • The Wolfman - Joe Johnston
  • Shutter Island - Martin Scorsese
  • A Single Man - Tom Ford
  • Darling - John Schlesinger
  • Man on Wire - James Marsh
  • Ed Wood – Tim Burton
  • Babel - Alejandro Gonzalez Inarritu
  • Funny Games - Michael Haneke
  • The Cove - Louie Psihoyos
  • Grand Illusion - Jean Renoir
  • (500) Days of Summer - Marc Webb
  • In The Loop - Armando Iannucci
  • Songs from the Second Floor - Roy Andersson
  • A Christmas Tale - Arnaud Desplechin
  • Food Inc - Robert Kenner
  • The New World - Terrence Malick
  • A Jihad for Love, Small Town Gay Bar, Trembling Before G-d
  • Away We Go - Sam Mendes
  • Gangs of New York - Martin Scorsese
  • Uzak - Nuri Bilge Ceylan
  • Goodbye Solo - Ramin Bahrani
  • Apocalypse Now - Francis Ford Coppola
  • Dark City: Director’s Cut - Alex Proyas
  • Forbidden Games - René Clément
  • Sita Sings the Blues - Nina Paley
  • Battleship Potemkin - Sergei Eisenstein
  • Russian Ark - Alexandr Sokurov
  • Requiem for a Dream - Darren Aronofsky
  • Full Metal Jacket - Stanley Kubrick
  • The Decline of the American Empire - Denys Arcand
  • American Beauty - Sam Mendes
  • Garden State - Zach Braff
  • Modern Times - Charlie Chaplin
  • Up Series - Paul Almond & Michael Apted
  • Wit - Mike Nichols
  • Cries and Whispers - Ingmar Bergman
  • Contempt - Jean-Luc Godard
  • Tokyo Story - Yasujiro Ozu
  • Kill Bill (Volumes 1 & 2) - Quentin Tarantino
  • Satyajit Ray – Auteur Extraordinaire (Part 3)
  • Intermezzo: A Love Story - Gregory Ratoff
  • Satyajit Ray – Auteur Extraordinaire (Part 2)
  • Satyajit Ray – Auteur Extraordinaire (Part 1)
  • Mulholland Drive - David Lynch
  • Rashomon - Akira Kurosawa
  • Bob Le Flambeur - Jean-Pierre Melville
  • Crimes and Misdemeanors - Woody Allen
  • Rajshekhar Basu / Parashuram: No Laughing Matter
  • Psycho - Alfred Hitchcock
  • The Virgin Spring - Ingmar Bergman
  • Perfume: The Story of a Murderer - Tom Tykwer
  • Dangerous Liaisons - Stephen Frears
  • I.O.U.S.A. - Patrick Creadon
  • The Reader (Film) - Stephen Daldry
  • The 400 Blows - Francois Truffaut
  • Gulaal - Anurag Kashyap
  • Nashville - Robert Altman
  • Run Lola Tun - Tom Tykwer
  • Mashgh-e Shab (Homework) - Abbas Kiarostami
  • Paradise Lost (1 & 2) - Joe Berlinger and Bruce Sinofsky
  • This is Spinal Tap - Rob Reiner
  • Of Dimes and Dames - The Mesmerizing World of Film Noirs
  • Notorious - Alfred Hitchcock
  • Revolutionary Road – Sam Mendes
  • Barah Aana - Raja Menon
  • Blindness - Fernando Meirelles
  • Scenes From A Marriage - Ingmar Bergman
  • All About My Mother - Pedro Almodovar
  • Gran Torino - Clint Eastwood
  • Signs of Life - Werner Herzog
  • The Class - Laurent Cantet
  • Dev. D - Anurag Kashyap
  • Paris Je T'aime (Paris I love you)
  • Doubt - John Patrick Shanley
  • The Flight of the Red Balloon - Hou Hsiao Hsien
  • The Wrestler - Darren Aronofsky
  • Milk - Gus Van Sant
  • Revanche - Götz Spielmann
  • Oscar – sold to the studio with the biggest promotion?
  • I've Loved You So Long - Philippe Claudel
  • Five - Abbas Kiarostami
  • Vicky Cristina Barcelona - Woody Allen
  • Three Monkeys - Nuri Bilge Ceylan
  • Waltz with Bashir - Ari Folman
  • Let the Right One In - Tomas Alfredson
  • Is Slumdog the posterboy for modern global cinema?
  • Slumdog Millionaire - Danny Boyle
  • Ayneh (Mirror) - Jafar Panahi
  • El Orfanato (The Orphanage) - Juan Antonio Bayona
  • Salaam Bombay - Mira Nair
  • Four Faces of King Lear
  • Amu - Shonali Bose
  • Efter Brylluppet (After the Wedding) - Susanne Bier
  • The Proposition - John Hillcoat
  • Into The Wild - Sean Penn
  • Salvador Dali & Walt Disney: A Destino 58 Years in the Making
  • Water - Deepa Mehta
  • In Search of Gandhi (Documentary) - Lalit Vachani
  • California Dreamin' (Endless) - Cristian Nemescu
  • No Country for Old Men - Coen Brothers
  • Girl with a Pearl Earring - Peter Webber
  • Berlin Alexanderplatz - Rainer Werner Fassbinder
  • Les Choristes (The Chorus) - Cristophe Barratier
  • Vanaja - Rajnesh Domalpalli
  • Nada+ - Juan Carlos Cremata Malberti
  • Gomorra - Matteo Garrone
  • Monsoon Wedding - Mira Nair
  • Jim Jarmusch's Indie-Genius Cinema
  • Offside - Jafar Panahi
  • A Wednesday - Neeraj Pandey
  • Upcoming Seminars on Indian Theater
  • John Cassavetes: self-indulgence or sheer elegance?
  • Shoot the Piano Player - Francois Truffaut
  • Hero - Zhang Yimou
  • Ma Vie En Rose (My life in Pink) - Alain Berliner
  • Mahanagar (The Big City) - Satyajit Ray
  • Koyaanisqatsi - Godfrey Reggio
  • Nowhere in Africa (Nirgendwo in Afrika) - Caroline Link
  • Paradise Now - Hany Abu-Assad
  • Sátántangó (Satan's Tango) - Béla Tarr
  • Przypadek (Blind Chance) - Krzysztof Kieslowski
  • Pulp Fiction - Quentin Tarantino
  • Sculptures In Time - The Films of Andrei Tarkovsky
  • The Science of Sleep - Michel Gondry
  • Hazaaron Khwahishen Aisi - Sudhir Mishra
  • The Passion According To Andrei
  • Caramel (Sukkar Banat) - Nadine Labaki
  • The Sea Inside (Mar Adentro) - Alejandro Amenábar
  • Raise the Red Lantern - Zhang Yimou
  • Ten - Abbas Kiarostami
  • Salam Cinema - Mohsen Makhmalbaf
  • Bhumika: The Role - Shyam Benegal
  • The Vengeance Trilogy - Park Chan Wook
  • Tsotsi - Gavin Hood
  • Aguirre, The Wrath of God - Werner Herzog
  • La Dolce Vita (The Sweet Life) - Federico Fellini
  • Women on the verge of a Nervous Breakdown - Pedro Almodovar
  • Metropolis - Fritz Lang
  • Wings of Desire (Der Himmel über Berlin) - Wim Wenders
  • Following - Christopher Nolan
  • Pan's Labyrinth (El laberinto del fauno) - Guillermo del toro
  • 4 weeks, 3 months and 2 days - Cristian Mungiu
  • Dulcet canvas of emotions - four films by Majid Majidi
  • The Wages of Fear (Le Salaire de la Peur) - Henri-Georges Clouzot
  • Pather Panchali (Song of the little Road) - Satyajit Ray
  • Fallen Angels - Wong Kar Wai
  • Breathless (A bout de souffle) - Jean-luc Godard
  • Kadosh (Sacred) - Amos Gitai
  • Bus 174 (Ônibus 174) - José Padilha
  • Killer Of Sheep - Charles Burnett
  • Pedar (The father) - Majid Majidi
  • Talk To Her (Hable con ella) - Pedro Almodovar
  • Yojimbo - Akira Kurosawa
  • And your mother too (Y tú mamá también) - Alfonso Cuarón
  • Che Guevara, The body and the legend - Raffaele Brunetti
  • In the mood for love (Fa yeung nin wa) - Wong Kar Wai
  • The lives of others (Das Leben der Anderen) - Donnersmarck
  • The Edge of Heaven (Auf der anderen seite) - Fatih Akin
  • Chungking Express - Wong Kar Wai
  • The Diving Bell and the Butterfly - Julian Schnabel
  • Viva Cuba - Juan Carlos Cremata Malberti
  • Children of Heaven - Majid Majidi
  • Bad Education - Pedro Almodovar
  • A Very Long Engagement - Japrisot/Jeunet
  • The Wall - Simone Bitton
  • Summer Interlude by Ingmar Bergman
  • Delicatessen - Jeunet-Caro
  • Farewell My Concubine (Ba wang bie ji) - Chen Kaige
  • The Color of Paradise - Majid Majidi
  • Smultronstället (Wild Strawberries) by Ingmar Bergman
  • Amelie - Jean Pierre Jeunet
  • Volver - Pedro Almodovar
  • The Sword of Doom by Kihachi Okamoto
  • ABC Africa by Abbas Kiarostami

Share

Email Twitter Facebook MySpace Stumble Digg
More >>
  • Wings of Desire (Der Himmel über Berlin) - Wim Wenders

    Wings of Desire (1987) takes off with a dedication to cinema’s three great stalwarts – Truffaut, Ozu and Tarkovsky. Indeed, elements of all the three directors’ works are present in the film. However...
  • Hero - Zhang Yimou

    “To reconstitute political life in a state presupposes a good man, where to have recourse to violence in order to make oneself prince in a republic supposes a bad man. Hence very rarely will there be...
  • In Search of Gandhi (Documentary) - Lalit Vachani

    Sixty three years post India’s independence, what has happened to the instructions of the father of the Indian country? India is the world’s largest democracy, what is it that we pride ourselves on?...
  • El Orfanato (The Orphanage) - Juan Antonio Bayona

    We all know about Guillermo Del Toro’s obsession with the supernatural, surreal and fantastic – Perhaps many of us have watched the majestic Pan’s Labyrinth, or the Hellboy series, both generously...
  • The Reader (Film) - Stephen Daldry

     The Reader is a complex film in many ways. Films of this genre often find it formidable to capture the essence of the story, characters and events in a manner that stay with you much after you’...
  • Satyajit Ray – Auteur Extraordinaire (Part 1)

    Satyajit Ray was a Renaissance Man – a versatile genius of immense capabilities. A towering personality, he wasn’t just one of the great auteurs of world cinema, but also a prolific writer, a...
  • Satyajit Ray – Auteur Extraordinaire (Part 2)

       Ray covered a host of genres in his lifetime – from psychological, urban dramas to satirical comedies and musicals, from political films to children’s fantasies, from historical epics to...
  • Satyajit Ray – Auteur Extraordinaire (Part 3)

    While speaking about Ray’s contributions to the world of cinema, it is very easy to overlook, especially those who do not speak Bengali, his prolific literary output. In fact it can be safely said...
  • Apocalypse Now - Francis Ford Coppola

    The story of Apocalypse Now is one of almost inconceivable excess. Onscreen it is a behemoth of a film loaded with memorable sequence after memorable sequence, very nearly bursting at the seams with...
  • Funny Games - Michael Haneke

    If you know even a little about the premise of Funny Games - you start dreading what you are going to witness from the first frame itself. This fact alone is a commentary on how violence, and the...
  • Man on Wire - James Marsh

    On September 11 1999, when the first reports of the attack on the World Trade Centre started pouring in, it seemed too unreal to be true. After the dust settled, the media started rifling through the...
  • A Single Man - Tom Ford

    “Even the music makes me want to kill myself,” said a man a few rows down from me during the closing credits. I laughed; sometimes someone just says it all. But being depressing is only one of the...
© 2008-2010 Culturazzi. All rights reserved.
  • Culturazzi
  • Cinema
  • Music
  • Art
  • Photography
  • Theatre
  • Literature
  • Terms of Service
  • Our Team
  • Site Credits
  • Privacy Policy
  • Contact
  • Join Now
  • Sign In
  • About Us
  • Site Index
  • Culturazzi Blog